Rajinikanth is losing his popularity

Tamil superstar Rajnikanth, presently the highest paid actor in India, came a poor fourth in a state-wide opinion poll conducted by students of a private educational institution.

The poll was conducted by Loyola College students. Outscoring Rajinikanth late thespians M.G. Ramachandran and Sivaji Ganeshan came first and second.

Vijay, relatively less known than Rajnikanth, has ranked third in the poll by getting 16.4 percent votes, while Rajnikant got 16.2.

Last year, Rajnikanth had topped the list followed by Vijaykanth.

The pollsters attributed the matinee idol’s fall from the top position to his latest flop Kuselan. The star is presently abroad shooting for Shankar’s  Robot.

Actor-turned-politician Vijaykanth came fifth by getting 10.7 percent of the votes.

Amongst actresses, National Award winning B. Saroja Devi topped the favourite list, while J. Jayalalitha, AIADMK leaer, former chief minister and current leader of opposition, was ranked number two.

The third and fourth positions amongst former femme fatales were taken by the faded out K.R. Vijaya and recent retiree Jyothika Surya.

Controversial actress and television host Khushboo Sundar came fifth.

None of the current female heartthrobs including Trisha, Shreya Saran and Nayanthara came anywhere close to their seniors.

Kadhalil Vizhunthen Movie review

What started a small and a medium venture has become a big movie today. ‘Kadhalil Vizhunthen’ starring Nakul and newcomer Sunaina hit the floors almost a year ago is garnering very little attention. But one song by music composer Vijay Anthony changed the entire scenario. The peppy and groovy number ‘Nakku Mukka’ brought unprecedented popularity and charm to the film even before its release.

The song has reached the nook and corner of the State and is oft repeated in every FM radio channel. No doubt Nakku Mukka has come in blessing in disguise for the entire crew. What more, the entire crew got a shot in their arm when the newly-floated Sun Pictures, a film distribution arm of Sun TV Network, chose to distribute the film. The cinematography is by S D Vijay Milton and editing is by V T Vijayan.

Says Prasad, “When I penned the storyline, I decided to cast Nakul in the lead role. He was very much committed and did his role with ease. He underwent rigorous workout and reduced his extra flab. He not just dances well but has come out with flying colors in action and emotional sequences.”

He also heaped laurels on newcomer Sunaina. He expressed confidence that she would rock the Tamil industry after the movie’s release.  Prasad was appreciative of the efforts of Vijay Anthony. He has given us a fresh lease of life with his musical score. He has made the whole unit proud’.

Sakkarakatti Movie review

Cast       :antanu Bhagyaraj, Vedika, Ishita and others.
Director : Kalaprakash
Music director : A R Rehman
Producer : Kalai puli Thanu

Shantanoo Bagyaraj’s debut film ‘Sakarakatti’ comes across as a lackluster film with a screenplay that fails to impress right through. Though the young actor seems bubbly, his efforts have been wasted with contrived dialogues and clichéd sequences.

A. R. Rahman’s brilliance is in abundance both with the songs and the background score, but debutant director Kalaprabhu has miserably failed to match the refreshing standards set by the talented musician. Visualization of the songs has been worked out well but then does not go with the mood of the film. Art direction in the song sequences has to be lauded. Recreation of the Van Helsing set and certain other similar endeavors have come out well. Computer Generated Imagery that features in the song sequences has come good. Soundarya Rajinikanth’s Ocher Studios’ involvement in the film is commendable. There are no villains in the film and the director has struggled to keep the conflict element going.

There is however one song ‘Taxi….Taxi’ that stands out. Youthful vigor, catchy tunes and a mood that personifies joy has come out brilliantly. Shantanoo is at ease in the song with some good dancing complimenting the rest of the dancers that include hip-swaying damsels.

Dimple-cheeked Shantanoo seems to be inspired tremendously by Shahrukh Khan as many of his expressions especially in the beginning of the film reveal. Unfortunately for the debutant whose father is considered one the greatest screenwriters in South Indian cinema, his introductory film hovers around aimlessly without any semblance of a screenplay.

Ishita proves to be a debutante who has nothing much to do except to burst out emotionally and of course smile sweetly at the protagonist. Audiences would probably remember her for mouthing the words ‘cho chweet’ which she does a number of times. Vedhika on the other hand, has handled herself in a more professional manner as the sometimes jealous no-way-out one-side lover.

Yuvaraj (Shantanoo) is a lad who grows up in the company of four friends with a penchant for mischief and an adventurous attitude. Just before he is to join college, he sees a girl named Deepali (Ishita) stranded on the road thanks to a malfunctioning car and a helpless driver. Yuvaraj finds himself in awe of her beauty and one of the most clichéd incidents happens. She walks into the same classroom as our hero is in and there is love in the air.

In comes another girl Reema (Vedhika) who happens to be Yuvaraj’s cousin (aunt’s daughter). She too joins the same college. Reema falls for her cousin and continues to be helplessly in love even after she gets to know about Yuvaraj’s and Deeplai’s love affair.

Yet another clichéd incident happens. Reema gives a red rose to our hero which is seen by Deepali. The girl runs away with a broken heart. The hero explains things and the affair brightens up once again. After a while Reema slips, thanks to a door mat. Yuvaraj holds her in a bid to break her fall. This again is seen by Deepali and another emotional outburst happens. The love affair is plagued by an assuming Deepali and a group of friends who want to bring the young lovers together.

Yuvaraj caught between the assuming Deepali and his true feeling of love decides to end the relationship which he voices to his heart’s desire. Confusion reigns until his friends conjure up an idea which would necessitate all the three people involved to come together in a ‘birthday party’. One more twist happens which produces some emotional dialogues. Do the lovers come together again or does Reema’s pure-love succeed?

On the whole, the film rubs on as an inexperienced attempt. Shantanoo however if directed well could go places.